Sony fx3。 Sony's FX3 is a compact $3,900 camera for filmmakers

Sony FX3 Leaked Images Emerge

While these can come in handy, I think many will put a cage on it anyway as the options are rather thin. If you are using the top handle then you automatically lose two of the thread holes anyway. Given the form factor of the FX3, I think a lot of potential users would agree with me. Like with the FX6 and A7S III, there is also considerable user control over autofocus transition speed and subject shift sensitivity. It uses two thumbscrews to securely fasten the handle to the body, and it works very well. The FX3 supports mobile tethering, remote control and FTP data transfer. 5 mm Timecode Input Shared with 3. Now, there is also a higher base ISO of ISO 12800 when shooting in SLOG3 SGamut3. 94p UHD 4K 3840 x 2160 up to 24. Genlock• 5mm jack is stereo, so technically, with a 3. If Tesla put the same features from an S series into a Model 3 series and then sold that car for a lot less money, no one would buy the S series. Wireless LAN Wi-Fi 2. USB connection via USB-C terminal Superspeed USB 5Gbps• Inside the camera, the FX3 features a 5-axis in-body image stabilization system. That is why Sony will continue to sell the FS7 M2 and FS5 M2. On drones, rigs, stunts, action shots, hostile environments, aerials, underwater. While it lacks SDI and internal RAW, those might not be a need. The Atomos Ninja V recorder is much louder than the FX3. Extraordinarily smooth slow-motion imagery up to 5x at QFHD 3840 x 2160 resolution with autofocus provides new expressive capability. When the original XLR audio module came out for the a7S it was prone to channel bleed and it caused me all sorts of headaches on a shoot. The newer mounts E for Sony, L for Sigma, RF for Canon are all much shallower, which allows for easy adapting to traditional PL mount lenses. FX9• Could Sony have utilized a traditional rotating ND system instead? These values cannot be changed. Considering a lot of users of small-sized cameras like these are going to be doing their own audio, the audio options need to be good. What is your reaction to this announcement? This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows. Besides, if you do need more than 4K then there are plenty of other cameras on the market that will meet your requirements. In-body 5-axis image stabilization• FX9• It is considerably more affordable than a RED KOMODO or a Canon C70. 0 8-bit at lower bitrates as well. Personally, I dislike using lens filters when shooting video. Uninterrupted 4K 60p recording Continued by Effective heat dissipation and built-in cooling fan When you login first time using a Social Login button, we collect your account public profile information shared by Social Login provider, based on your privacy settings. Final Thoughts Sony created a camera that, for the most part, is all alone in its space. Even 4K 120p can be recorded in XAVC S-I. The FX3 is basically an a7s III, but purpose-built for video use. XAVC S• The FX3 comes with what looks to be the Sony XLR-K3M. Doing smooth zooms are nearly impossible, something fixed with the zoom rocker on the FX3. Some of the specs will be familiar:• Sony a7s III Comparison Credit: Sony While the is a video-focused stills camera, it's still mostly a stills camera. 5 mm Stereo Mic Level Input 1 x Headphone Jack 1 x HDMI D Micro 1 x USB Type-C USB 3. Sensor The PXW-FX3 uses a full-frame Approx. 5 mm Stereo Mic Level Input 1 x Headphone Jack 1 x HDMI HDMI 2. The camera includes a full-size Type A HDMI slot, which supports 16-bit RAW output. External monitors, recorders, wireless microphone receivers, the accessory shoe kit cold shoe plate , or other add-ons can be securely attached. All of these cameras offer different features and functionality. Sony Other headline features include in-body stabilization you can combine with an Active software mode for even more shake reduction, dual CFexpress card slots and plenty of mounting points to attach any accessories you might need. 94p 4:2:2 10-Bit via HDMI: 1920 x 1080p at 23. Given the target audience for the FX3, this is something a lot of users are going to appreciate. The menus have been separated for video and stills. Adding to that, the FX3 boasts full-frame bokeh with a shallow depth of field created by its full-frame sensor. The FX3 has S-Cinetone, something the A7S III doesn't currently offer. If you want to use the FX3 as a b-cam you will have to add a TC device like a Tentacle Sync or record scratch audio and use a slate. When using the supplied XLR handle, the FX3 offers 4-channel 24-bit audio recording. 94 fps FX3 v KOMODO SONY FX3 RED KOMODO Internal Recording ALL-Intra 4:2:2 10-bit: 3840 x 2160p up to 59. The FX3 utilizes the same BIONX XR image processor that is found in the a7S III and FX6. You may be familiar with XAVC and XAVC S, but the new flavors are XAVC, XAVC HS, and XAVC S-I. There is also a menu for 4ch Audio Monitoring that allows you to select the audio channel combination to output to the headphone terminals when the audio channel number is set to 4ch. On the top right-hand side, you will find a Record button, three custom buttons which by default are set to WB, ISO, and IRIS. Internal cooling fan provides unlimited recording time. Sony FX6 Sony designed the FX3 to be as small and as compact as possible. This marks the first time Sony has included I. The fact that you can only shoot HD in a Super 35 mode may be a deal-breaker for some potential users. You do get a full-sized HDMI output just like the a7S III. 2MP back-illuminated CMOS Exmor R Full-Frame 10. I like the ability to adjust the dB level settings as not all microphones have the same sensitivity. 5mm• It is considerably smaller than the FX6. 5-stop effective 5-axis SteadyShot image stabilization system, which compensates for five different types of camera shake. Today, Sony unveiled the newest addition to its renowned Cinema Line roster: the , a powerful yet lightweight cinematic camera with out-of-this-world results. You can record all these XAVC options on either a CFexpress Type A card or a V90 speed-rated SDXC card. The MI XLR module has, for the most part, the same features you see in the XLR-K3M. You can do a 50 foot run of SDI and get a signal. 2 MP Full-Frame CMOS Exmor R Sensor• On the front right-hand side of the camera, there is also another customizable button that is preset as a record button. You still have access to the dials since the cover allows a little gap for access. It features a regular E-mount. The FX3 is the first Sony digital cinema camera to feature 5 axis in-body stabilization. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. The processor is claimed to be able to read the sensor 3x faster than the a7S II and 2x faster than most traditional mirrorless hybrid sensors. 94p 4:2:2 10-bit 16-bit linear RAW output over SDI UHD up to 59. When shooting in S-Log 3, the FX3 promises more than 15 stops of dynamic range, per internal Sony testing. I do believe that those issues have been solved with subsequent models, but it is worth keeping in mind. 5mm Mic Input Headphone Jack Yes Yes Included Battery Yes Yes Weight 640g Body only 614 g Body Only As you can see, on paper these cameras are quite similar. Conclusion While Sony still receives criticism for its color science, it's something that can be adjusted in post. Yeah, we are not done with camera releases at all! The recording options on the FX3 are exactly the same as those on the a7S III. The handle and the XLR module would need the MI contacts, which adds more to the design, plus mounting it to the handle could cause some fiddly issues with it staying securely mounted. One area where competitors like the C70, fp, and FX3 are leaving behind the BMPCC line is the lens mount. Tally lights• 4K is still perfectly acceptable and will still be for quite some time. With the a7S III, you get an EVF, with the FX3 you get an audio module. Having stills capabilities should be viewed as a bonus feature and if you need to take the odd photo then this camera still allows you to do so. The FX3 can record up to four channels of audio. The camera itself draws the following:• I reviewed the LEYE so check it out. The mount points are supported by an internal stainless-steel substructure inside the magnesium-alloy FX3. 5mm mic input The audio level dials rotate with some dampening. It appears to have a flip-out display but supposedly lacks the ND filter found in other Sony Cinema Line cameras. Color Straight out of the FX3 with no color correction I like S-Cinetone a lot. Sony has made audio easy with the MI shoe. cine, S-Gamut3 S-Gamut, S-Gamut3, S-Gamut3. The camera can utilize wired LAN via a compatible USB adapter and includes a USB Type C Superspeed port in addition to a micro USB terminal. Maybe the release of the iPhone in 2008 and the Android imitators a year or two later is similar, but in camera design, you cannot deny how the BMPCC influenced the market. Just like the a7S III and the FX6, the FX3 utilizes the new CFexpress type A cards. Sony FX3 dimensions and key features The FX3 weighs a mere 715 grams with a memory card and battery. 5x S35 shooting mode you are limited to recording in HD. Another reason to miss it is how the FX3 outputs the image to an external monitor. [Movie] Approx. Again, the AF is the exact same system that is being used in the a7S III. 94p 4:2:2 10-Bit UHD 4K 3840 x 2160 at 23. 2 megapixels effective back-illuminated CMOS Exmor R 4K sensor. Capture times are limited by the lack of a fan. The camera includes Sony's S-Cinetone Picture Profile, promising a beautiful, cinematic look with soft tones. The air intake is on the bottom of the camera and the exhaust is on the left-hand side beneath the HDMI port. cine, S-Gamut3 S-Log3, S-CineTone, S-Gamut3. The FX3 boasts first-class focus performance, optical image stabilisation, handheld shooting design and advanced heat dissipation for extended recording times. If you are a solo operator running two cameras it is nice to be able to see a tally light so that you know the camera is recording. The worst argument I always hear in regards to resolution is that I am future-proofing my material. Fast AF, 5-axis image stabilization The FX3 offers Fast Hybrid autofocus AF by using the 627 points focal plane phase-detection system during movie recording. Sony has also included an active cooling system inside the camera that it says enables the FX3 to shot video for up to 13 hours uninterrupted. 5 mm deep — without protrusions. The shorter height is due to the removal of the electronic viewfinder. This mount is fully compatible with E-Mount lenses and supports all electronic connections. So how do some of them compare on paper? Given the FX3 has S-Cinetone, if you were also using the FX6 or FX9 with S-Cinetone also selected, the cameras should match up pretty well. I wish it was a little smaller, but it will have to do, and it works really well. 4K recording up to 120p frame rate• Both cameras have so much in common and they are only differentiated by a few small features. Canon and Sony are continually fighting for autofocus dominance and are somewhat at parity at the moment. This is evidenced by the camera's S-Cinetone Picture Profile, internal cooling, XLR handle, cage-free design, tally lights and video control layout. XAVC S• 94p XAVC Intra 422 10-bit Class 300 UHD up to 120p XAVC Intra 422 10-bit Class 300 HD up to 240p XAVC Intra 422 10-bit Class 100 UHD up to 59. HD up to 240 fps• You can use a USB power delivery device via USB-C as well. These include:• Sony claims that this provides consistently accurate, responsive AF tracking, even with fast-moving subjects while maintaining a shallow depth of field. Despite the improvements, I still find the menus on Sony cameras to be lagging behind some of the competition. The FX3 includes S-Log3 gamma, S-Gamut3 and S-Gamut3. With the solo shooter in mind, the FX3 can be used handheld without requiring the use of a gimbal. Its small size makes it suitable for solo operators, but I do feel that without having built-in ND, an FX6 or C70 makes a lot more sense. A full-frame sensor, amazing low light performance, dynamite autofocus, in-body image stabilization, 4K 120p image capture, and 16-bit RAW over HDMI. What would you remove from the FX6 that would make the FX3 different? I think the main reason for sticking with HDMI is that most affordable monitors and other accessories tend to only have HDMI inputs. 6x battery runtime as well as USB-PD power option for extended shooting times. The work they've done with VENICE really shows in the rest of the lineup. What's great about the FX3 as well as the is that you don't need the very expensive to record external RAW as you do with the. Touch-focus makes changing between manual and autofocus shooting simple; the FX3 also offers different transition speeds to perfect that rack focus. Menus• 94p XAVC Intra 422 10-bit Class 300 UHD up to 120p XAVC Intra 422 10-bit Class 300 HD up to 240P XAVC Intra 422 10-bit Class 100 External Recording 4K DCI up to 59. 15 or more stops of Dynamic Range with S-Log 3. How does it compare to the FX6? The sensor in the FX3 will allow you to comfortably shoot in very low light environments without generating a lot of image noise. The viewfinder takes up most of that extra area. The top of my fingers pressed against the lens. You can program the buttons to have different settings when in stills mode. Maybe an articulating arm would fit or a cold shoe. 265 4:2:0 10-Bit 6K 3:2 5952 x 3968 at 23. With Active Image Stabilization turned on, the FX3 was like a tripod in the sky. The menu structure of the FX3 is the same as the a7s III when in video mode. With All-I XAVC S encoding , the bitrate is up to 600Mbps. The FX3 clearly does step on the toes of the a7S III, but I personally think there is enough differentiation between it and the FX6. On paper, it has at least one feature to beat every competitor. Touchscreen Operation Just like the a7S III, the FX3 has the same touchscreen operation available from its LCD screen. You can also power the camera via a USB-PD. Sony states that the control layout is very different from other Cinema Line cameras. I have simply listed the specifications in case you want to compare cameras on paper. The majority of people purchasing an a7S III are arguably using the camera for video. The FX3 includes Face Detection and Real-time Eye AF, as well. The nice thing for consumers is that we do have a big choice and it is becoming increasingly easier to find the right camera for your individual needs. Get a cup of your favorite beverage while taking it all in. Despite its compact stature, the FX3 includes a pass-through heat dissipation design and has a built-in fan, which Sony states is nearly silent. The LCD screen can fully articulate and flip into a selfie position without obstruction; however, if an HDMI cable or other ports are used, they will block the view. You can also record HD proxies on the FX3 On paper, the FX3 offers you higher frame rates in UHD than the more expensive FX9. These are the following codec choices that are available in UHD:• The FX3 body itself includes mic and headphone jacks and includes a built-in stereo mic as well. With a locking mount, it reduces lens play and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. Sony states that the device is dust- and moisture-proof. 94p Full HD 1920 x 1080 at 23. Initial thoughts The FX3 is an intriguing if not slightly confusing camera. It feels secure with the two thumbscrews. If you want to see the camera info, the image is reduced substantially. This is obviously a smart move by Sony to keep the cost down on both the FX6 and FX3 to record RAW. Cageless Design The body is flat on all four sides and made of strong and light Magnesium Alloy. In-body image stabilisation means that effective stabilisation can be achieved with a wide range of lenses, including E-mount lenses that do not include stabilisation of their own. Below are some of the possible setups for audio. These are all good options and it is nice to see that Sony has offered shooters a variety of different forms of XAVC to choose from depending on what their needs may be. Form factor• On the FX6 you can load up user LUTs as well as scene files. 16-bit RAW via full-size HDMI output• You need to be seriously aware of this because if you are shooting documentaries or events you are going to have serious limitations with focal reach. They are multiplying at an impressive rate. The Sony FX3 features dual-band 2. Sony announced a new addition to its Sony Cinema Line, the FX3. this allows you to keep the camera powered up for extended periods of time. On the right side, there are several shortcuts grouped together. The FX3 uses S Cinetone Color Science like the rest of the Cinema Line; this ensures seamless footage integration with rich color and a professional aesthetic. Included with the camera is an XLR audio module that looks to be very similar to the Sony XLR-K3M. This is certainly a trend these days with cameras and one that is unlikely to change anytime soon. Compact Form for Cage-Free Operation• If the Sigma fp married the Sony A7, the result would not be much different from the Sony FX3, which looks like a Sony A7RIV without the hump for the electronic viewfinder. 4W As a comparison, the Sony FX6 draws 18W and the Canon C70 draws 14. As usual, I digress, and that is a subject for another day. Zoom rocker controls E-mount servo zooms as well as primes using Clear Image Zoom. This processor is claimed to be 4x faster than the one that was used in the FS5. kept in natural conditions, with freedom of movement. Is the FX3 what the a7S III should have been? The menu is separate for video and stills. Items such as white balance, iris, and ISO work in both modes. Not having a locking E-mount means you really do need to use lens support for certain larger lenses. What about if we compare the FX3 against the Sigma fp, Panasonic S1H, and BMPCC 6K? 5mm, along with controls for adjusting mic inputs. The fp is a dynamite camera for action and gimbal shots, but now, so is the FX3. The FX3 looks to be an affordable camera for professional users who are shooting news, events, documentaries, and corporate productions. With its many mounting points, you could attach a dozen of them for running shots. Its backside-illuminated full-frame sensor has an effective resolution of 10. According to Erik, many of the functions cross over when shooting stills. The magnesium-alloy chassis and shell are sealed against inclement weather and dust. Additionally, Erik is an outstanding educator, teaching filmmaking via courses on Linkedin Learning and Lynda. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. CFexpress was announced back in early 2019, but so far we have only seen CFexpress Type B cards being utilized. 94p 4:2:2 10-Bit via HDMI: 3840 x 2160p at 60 fps FX3 v C70 SONY FX3 CANON C70 Internal Recording ALL-Intra 4:2:2 10-bit: 3840 x 2160p up to 59. Phase Detection Auto Focus with face and eye tracking. Anybody complaining that they were expecting FX3 to be an FX6 in a smaller body with the same features for less money is living in a dream world. Although in saying that, with a lot of people using speedboosters on S35 Sony E-mount cameras there is clearly a demand for the full-frame esthetic. I did not have an a7S III on hand but do have a similarly-sized a7R IV to show the size comparison between an FX3. In theory, the rolling shutter performance should be on par with the a7S III and FX6 Now, the biggest downside when utilizing a smaller megapixel 4K sensor is that you can only shoot UHD in full-frame. It features two full-size XLR channels and a shotgun mount. That is reserved for the VENICE. Standard ISO range of 80-102,400, expandable up to 409,600• The autofocus has some quirks and takes some getting used to. 5mm mic input• The bigger deal is the continuous internal ND, which is a real perk in shooting in low light. It can be used with or without a cage depending on your personal style of shooting. 94p 4:2:2 12-Bit UHD 4K 3840 x 2160 at 23. Better ergonomics for shoulder mounting• That, and the inclusion of a fan for long capture times, are some key differences with the FX3. While you can, and many do, shoot beautiful images with the a7s III, it's generally always a game of workarounds and accessories trying to work with still cameras on a large set.。 。 。

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Sony FX3: a compact Cinema Line camera with S

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Sony Announces new FX3 Camera, the Smallest in its Cinema Line

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Sony's FX3 is a compact $3,900 camera for filmmakers

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Sony FX3 Full Frame Cine Camera Announced

Sony FX3 cinema camera leak teases 4K 120p video inside a compact body

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How Does the Sony FX3 Stand Up to the Competition?

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Sony FX3 Announced